Reviews: (click on the caption to
open a PDF and read the whole review)
Grace Glueck of The New York Times
"Boyajian's buds and seeds rise well above the usual dross."
from the New Haven Register said, "Boyajian
manipulates the light and integrates the architectural and
organic forms into a finely tuned balance of aesthetic
emotion, configuration and concept.”
Christopher Atamian of
Review Magazine called
Genesis "a quietly poetic series of sculptures; a powerful, sweet
Budick of Newsday said, "David Boyajian's monumental seedlings
harden the ephemeral into steel. Young plants gently unfurling and
reaching for the sky transmute into massive rust colored slabs of metal,
able to withstand the assaults of time."
The Hartford Courant called Canton Gate;
"not only aesthetically majestic: but historically, socially and
Ross of the Stamford Advocate said, "Of
All the artistic styles at play in 20th century sculpture, the
cubist-constructivist tradition seems to have been the most
influential in Boyajian’s graceful biomorphic interpretations.
Feature/Jamie Ferris, Housatonic Living, Litchfield County Times, June 25, 2004
Giant, Feature/Linda Conner Lambeck, Connecticut Post, May 8, 2004
Spaces, Feature/Brian Sexton, Front Page, Danbury News Times, Nov.
Giants Tread, Feature/John D. Allen, Leisure, Hamden Chronicle,
Oct. 2, 2003
The Cotelydons of
Sculptor David Boyajian, Feature/Louis Slovinsky, The Gallery,
June 14, 2002
Welcome Addition, Feature/Agnes Diggs, The Stamford Advocate, Jan.